- THX soundbar with wireless flat subwoofer
- Soundbar: 2-way system with 7 drivers powered by 300 watt amplifier
- Wireless flat subwoofer can be slid under a sofa or wall mounted
- Subwoofer employs 3 woofers for deep, powerful bass down to 35 Hz
- Dolby Virtual Speaker Technology for virtual surround sound from a single speaker
- All-in-one system includes 4 HDMI inputs with 3D support
- Can be easily controlled with a TV remote via HDMI CEC
- Comes with wall mounts and remote, bundle available for a limited time
Overview of our technologies
Teufel Streaming systems and speaker with bluetooth can be optionally expanded with a device from the Amazon Echo series to allow you to select and enjoy music even more conveniently via Alexa voice control. You can find out more about how this extension works and what you can do with it on the Teufel blog.Learn more
Lost your remote control somewhere in the sofa again? No worries! Control your sound system with voice commands when you connect a Google Home device via Bluetooth.
- A 2-way system with a total of 6 drivers renders dynamic, nuanced, and distortion-free playback with film soundtracks, games, and music.
- Two 25 mm aluminium tweeter emit a clear and powerful upper range with a maximum load capacity.
- Four high-excursion 100 mm midrange drivers produce a warm midrange and a high degree of speech intelligibility even at low volumes.
- A 250 mm bass driver in the bass reflex subwoofer enclosure with double reflex vents produces deep, thundering bass without wind noise even at high volumes.
- A 300 watt class D emplifier in the soundbar + a 250 watt class D amplifier in the subwoofer ensures high levels, extremely low noise and minimal power consumption.
The wireless module's connection status appears on the CoreStation’s OSD menu as displayed on the television. On the back of the subwoofer alongside the plug for the module is a button and status LED for wirelessly connecting the sub and A/V receiver. Establishing a connection is just as quick and easy as pairing two Bluetooth devices.
Once an initial connection has been established, the CoreStation and T 4000 will automatically pair with each other as long as they are within a 10 meter range and switched on. A wireless connection between A/V receiver and subwoofer makes living room integration even easier without compromising on signal quality. The bass signal is transmitted in lossless sound quality for the same power and punch as a wireless connection.
For the SubConnect wireless module, you’ll need:
1. T 4000 flat subwoofer
- Subwoofer T 4000 SW (without wireless module)
- Soundbar Cinebar 52 SB
- power cable
- table stand for CB 52 SB
- wall bracket for CB 52 SB
- mono cinch cable for Sounbar CB 52 SB
- Angle bracket adapter HDMI 90° for CB 52 SB
- Angle bracket adapter HDMI 270° for CB 52 SB
- Angle bracket adapter cinch 90° for CB 52 SB
- Angle adapter (rotating) TOSLINK for CB 52 SB
- remote control for Cinebar 52
- SubConnect MOD
- Sub Connect TX
- power adapter
- Mono-Cinch-Cable 0.5m - C3005A
|Maximum sound pressure level||103 dB/1m|
|Frequency range from/to||120 - 22000 Hz|
|Tweeter (number per enclosure)||2|
|Tweeter (diameter)||25.00 mm|
|Midrange driver (number per enclosure)||4|
|Midrange driver (diameter)||100.00 mm|
|Midrange driver (material)||Cellulose, coated|
|Enclosure surface||Brushed aluminium|
|Net internal volume||11.30 Litres|
|Wall mounting brackets||Yes|
|Keyhole plate mounted||Yes|
|Screw hole diameter||4.00 mm|
|Digital inputs coaxial||2|
|Digital inputs optical||2|
|Cinch input stereo||1|
|Stereo jack 3.5mm - in||1|
|Bass driver output||1|
|Video inputs- HDMI||4|
|Miscellaneous||3D video support, ARC, CEC|
|Dolby Pro Logic||Yes|
|Dolby Pro Logic II||Yes|
|Dolby Virtual Speaker||Yes|
|Amplifier technology||Class D|
|Power output capacity impulse (peak) Satellite||150 W|
|Power output capacity sinus (RMS) Satellite||100 W|
|Power supply voltage||230 volts|
|Standby-Power consumption||0.40 watt|
|Maximum power consumption||400 watt|
|Mains cable - IEC connector (non-heating device)||Yes|
|Storage for settings when disconnected||Yes|
|Miscellaneous||Integrated wall mount|
If placed on the included stand, the Cinebar has a height of 15 cm
|Enclosure type||Bass reflex|
|Maximum sound pressure level||102 dB/1m|
|Frequency range from/to||35-200 Hz Hz|
|Woofer (number per enclosure)||3|
|Woofer (diameter)||130.00 mm|
|Woofer (material)||Cellulose, coated|
|Miscellaneous||Extreme stroke capability|
|Enclosure surface||Matte lacquer|
|Suitable for AV receiver||Yes|
|Cinch input stereo||1|
|Lowest frequency (-3 dB)||35 Hz|
|Input gain adjustment||Yes|
|Frequency regulator (range)||Yes Hz|
|Power output capacity impulse (peak) Bass||240 W|
|Power output capacity sinus (RMS) Bass||150 W|
|Miscellaneous||DSP from analogue devices|
|Power supply voltage||230 Volt volts|
|Standby-Power consumption||0.40 watt|
|Mains cable - IEC connector (non-heating device)||Yes|
|Storage for settings when disconnected||Yes|
Downloads & support
The receiver/amplifier must have bass management where the frequencies are distributed for the THX front/centre speakers and the THX subwoofer (cut-off frequency 80 Hz).
Also, the amplifier should exhibit a minimum rating of 100 watt per channel and match the speakers for performance (amplifier sine wave output = approx. long-term load of speaker).
Since THX speakers are optimised to play back multi-channel signals (4 or 5.1 channels), the front speakers permit the precisely staggered and very true to detail spatial playback, while the surround speakers ensure realistic room characteristics.
Both are also ideal requirements for playing back music.
The objective of THX home cinema systems is to play back film soundtracks with as much authenticity and quality as the original mix from the sound studio.
In all studios used for film dubbing, the soundtracks are mixed in a 4-channel version (Dolby Surround) and in a 5.1 channel version. The acoustics, equalizer settings and speaker configurations are absolutely identical.
THX systems are thus always able to play back soundtracks produced in this way absolutely true to the original. Because of the high technical and tonal requirements, the THX standard can be compared with the TÜV (German Technical Control Board) for cinema sound.
As opposed to the THX quality standard, DTS and Dolby Digital are procedures for compressing sound data.
All THX-licensed devices and speakers must demonstrate certain technical properties so that they can play back movie soundtracks produced for cinemas and correspondingly powerful cinema sound systems absolutely true to the original for home cinemas as well. This is only possible up to a certain point with conventional hi-fi systems.
The most important requirements for excellent home cinema sound are:
• That despite the considerable size difference between cinemas and home cinemas, the movie soundtrack can be played back in comparably smaller rooms with the correct tonal balance and three-dimensionality.
• That all sound channels are played back very precisely despite the complexity of a multi-channel soundtrack to be able to precisely locate and allocate all noises and voices.
• That the subwoofer is perfectly coupled to the main speakers.
• That the front speakers are (by sound) identical - indispensable for harmonious sound playback.
THX systems satisfy these requirements perfectly, as they consider all running processes concerning playback while the movie soundtrack is being mixed.
THX currently differentiates three standards for speakers: THX Ultra 2, THX Select and THX Multimedia.
THX Select 2 only applies to AV Receivers/amplifiers.
THX Ultra 2 corresponds to the earlier THX with the uncompromising design of the components.
Comparison of the three THX standards:
• THX Ultra 2: Angle of radiation and frequency response strictly limited requirement, D'Appolito arrangement of speaker systems prescribed.
• THX Select: More generous specifications for angle of radiation and frequency response.
• THX Multimedia: Radiation behaviour corresponds to THX Select.
• THX Ultra 2: Dipoles are compulsory.
• THX Select: Dipoles recommended, but not compulsory.
• THX Multimedia: Direct emitters in every respect.
Subwoofer - transfer frequency
• THX Ultra 2: 80 Hz
• THX Select: 100 Hz
• THX Multimedia: 130 Hz
• THX Ultra: Continuous load 105 dB (front) / 102 dB (surround).
• THX Select: Short term load 105 dB (front) / 102 dB (surround).
• THX Multimedia: 103 dB at the listening location/desk at approx. 50 cm distance.
• THX Ultra 2:
More output performance than normal AV Receivers. Complies with the strictest requirements for minor background noise and minor distortion. Is designed for performance needs of large listening rooms up to 150 m².
• THX Select:
Structure of AV Receiver is simpler and thus more reasonably priced. Less performance required, therefore suitable for smaller and medium-sized listening rooms up to approx. 50 m².
• THX Multimedia:
Pure PC and/or multimedia speakers for use at the computer.
• THX Ultra 2: Arrangement and set-up strictly regulated.
• THX Select: Set-up and arrangement simpler and more flexible.
• THX Multimedia: Set-up of front speakers on the desk, rear speakers to the side and behind where you are sitting.
The first DVD that supported the new feature was "Fight Club" in the Special Edition by 20th Century Fox (NTSC version). The offer has been continually expanded in the meantime.
The tests, which can be played on NTSC as well as PAL DVDs, consist of video tests that are helpful in optimally setting and configuring the TV or video projector, as well as audio tests that guarantee that the sound system is configured perfectly.
The special thing about these tests is the fact that the measuring signals are identical to the reference signals that were used during the final mixing of the relevant DVD. The home cinema system can therefore be co-ordinated accurately and individually to every single DVD with THX Optimode.
The goal of the entire procedure is that the sound and particularly the picture should appear in the home cinema exactly as the producer imagined. Let's assume the film producer wanted to create a certain mood in the film using specific colouring; this only works in the home cinema if the screen at home is just as co-ordinated as in the studio. Thanks to THX Optimode, that is guaranteed as far as possible.
Operating THX Optimode is just as easy: The software on the DVD includes all of the tests. Individually, these are video tests to set the contrast, brightness, colour, colouring, control of the correct ratio of picture length to picture width and the possibility to test the general qualities of the monitor.
In addition, there are audio tests for the phases of the speakers, connection of the speakers and the cut-off frequency of the LFE (subwoofer channel). Some tests will clearly show when it is necessary to consult a specialist for the settings.
This circumstance would drive up the production and storage costs, which would result in a significantly more expensive sales price.
A paint shop in your vicinity will surely be able to repaint the speaker housing to your preferred colour without loss of warranty - after expiry of the eight-week right of return.
- A) The Cinebar 52 THX offers many inputs for connecting a range of sources. It may be that the input used in this case is not active.
Solution: Check that the input you are using is connected to an active source.
- B) The Cinebar 52 THX has a mute function. This may be switched on.
Solution: Turn off the mute function.
- C) The volume may be set to “0“.
Solution: Turn up the volume.
Solution: Familiarize yourself with the Cinebar 52 THX’s setting options and experiment until the sound is to your liking. You’ll find more information on page 15 of the system’s instructions.
Don’t forget the subwoofer! The low bass can also be adjusted to suit your individual tastes and room dynamics.
1. Remove the RCA cable from the input on the subwoofer. If the hum is no longer heard, go to point B. Otherwise, follow point A.
A. Attach the net cable of the subwoofer to another electricity outlet (i.e. Kitchen/Bathroom/Bedroom). If the subwoofer still hums, get in contact with our Support team.
Should the hum no longer be there, the disruption was a problem in your power supply, which can, for instance, be caused by dimmers or chargers. To find out where the disruption is, unplug all your devices and work back from there. As soon as the hum is heard, you now know your source of the disruption.
B. In your case, the "ground hum" is responsible for the disruption. Please proceed as follows to discover your source.
- Disconnect the cable or satellite port from the TV Receiver and check if the hum disappears or not. If it does, you can use a sheath current filter for the cable outlet to prevent this. For example, the sheath current filter AC 9022 ED. If you have a satellite connection, connect the Satellite Receiver to the optical cable playback source - Teufel Optical Digital Cable
- If this reason can be excluded, separate all devices from the AV Receiver one at a time until the hum stops. The last connected device is then your hum source and should be separated from the others using a galvanic separation filter (found in a retail shop)
- If this doesn't work, get in contact with us once again so that we can give an individual, helpful response.
The corresponding setting in the speaker set-up must be adjusted individually for each source for many receivers, however, e.g. for CD playback only front without woofer, and front speakers plus woofer for Dolby Surround video playback.
To make sure the subwoofer switches on and off correctly in automatic mode, (to be selected on the corresponding switch of the subwoofer, such as "Auto / On / Off"), we recommend turning the level control on the subwoofer to 1/3 or perhaps to 1/2 and increasing the output level for the sub in the receiver's speaker set-up – sometimes up to the maximum (+10 dB or +12 dB). The subwoofer should then work perfectly.
The maximum position of the output level in the speaker set-up of the AV Receiver is obligatory for some of our models (e.g. the Concept S subwoofer).
You can connect it like a standard speaker system: the five satellites via speaker cable to the corresponding speaker outputs front R/L, rear R/L and centre of the AV Receiver/amplifier and the subwoofer from the front R input via a mono-RCA cable to the Sub Out output on the A/V Receiver/amplifier.
The auto on/standby switch only responds when the front R input is being used! The subwoofer also receives the full subwoofer signal via this channel.
If the AV Receiver/amplifier has preamplifier outputs for all channels (front R/L, rear R/L, centre and subwoofer), the Teufel set can also be connected via three RCA cable pairs to the subwoofer and the satellites via speaker cables to the subwoofer. However, we recommend using the first version.
Separate the direct connection by a grounding filter for the antennae cable that is created for it - for instance, the Teufel modell sheath current filter AC 9022 ED. Alternatively, you can use a galvanic separation filter that is looped into the connection between the subwoofer and AV Receiver.
The hum disappears if the antennae cable is separated from the Receiver/Tuner/TV. First try the grounding filter, otherwise the galvanic separation filter.
Placement within the straight line between both front satellites is ideal - but not precisely in the corner of the room because certain frequency components could be unpleasantly excessive when played back.
The membranes of the satellites should move to the front at the same time as the membrane of the subwoofer bass speaker, because all speakers of the system must vibrate in phase for optimal playback. This means that (provided the connection has the correct polarity) all drivers must move in one direction when the three front speakers receive a pulse (towards the outside or towards the inside).
If the subwoofer is in line with the front speakers, its bass speaker should have the same direction of movement (phase) - the controller on the woofer is set to "0". If the subwoofer is not between the front speakers, but is to the side of or even behind the listening location, its phase length will not match that of the front speakers. That is why the phase of the subwoofer must be changed in such cases.
So much for the theory. In practice, this means: Listen to a loud piece of music with heavy basses and ask a second person to change the phase during playback. The correct setting of the phase switch depends on where the subwoofer is positioned in the room. The position where the bass playback (above all the upper bass range) sounds the fullest is the correct position. Have fun trying it out!
Even though the LED is still illuminated, the subwoofer is in standby mode. This function can be easily checked by slowly increasing the volume at the receiver/amplifier. You will hear a quiet popping noise when the subwoofer activates itself as of a certain level.
If the satellites are not connected directly to the subwoofer but to the AV Receiver/amplifier via speaker cable instead, the subwoofer performance will increase somewhat; the power amplifiers for the satellites have no function. This enables the subwoofer and satellites to play even more dynamically than if the subwoofer still had to provide the satellites with performance.
The technical background: The subwoofer has a large transformer with a specific wattage. This performance is either distributed to the five satellites and the subwoofer, or you receive a higher performance only for the subwoofer.
If the cabling method is easier for you, then you can alternatively connect one subwoofer to the other. You will need two mono cinch cables - one to connect the subwoofer "Pre Out" on the AV receiver/amplifier to the left line-in input of the first subwoofer, and the other to connect the left line-out output of the first subwoofer to the left line-in input of the second subwoofer.
This can be imagined as droning or booming, which occurs during heavy bass movie scenes such as explosions or certain types of music (Jazz, pizzicato bass). The bass absorber is then tuned exactly to this frequency so that only the speakers/subwoofer play back this frequency. The resonance frequency from the room, which would amplify this frequency, is swallowed by the bass absorber.
If you would like to damp more than one frequency (a room usually has three different frequencies: ceilings and floors, front and back and left and right, and its multiple), you will have to set up three absorbers accordingly.
The wattage (e.g. "360 W") printed on the rear of the subwoofer near the mains plug designates the ability of the power amplifier "to pull" a maximum power rating in the specified range at the moment of switching on (those 360 watt stated as an example).
Consequently, the wattage must correspond to at least the sine wave output of the amplifier, as this sine wave output must be permanently available which the power pack must provide as well.
The pulse/music performance of the amplifier, on the other hand, can exceed the wattage, because the short pulses are buffered additionally by the capacitors in the power pack and are not achieved solely through the performance of the power pack.
The wattage for a multi-channel subwoofer can also be below the sine wave output, as the specified sine wave output is not requested from every channel at the same time.
For a 5 x 100 watt sinus power amplifier, for example, each of the five channels is able to implement 100 watt sine. However, not all five channels at the same time! This is also unnecessary, as the same signal is never transmitted across all five channels at the same time, thus requesting the same high sine wave output per channel.
That is why the wattage may be, e.g. 300 watt, even if the sine wave output exhibits 5 x 100 watt (= 500 watt).
The volume of the active subwoofer can be controlled so that you can adapt the relationship between the active bass and treble / mid tones to suit the room.
Use your own senses to judge which settings sound best in your room. This switch is especially useful in stereo mode. On the other hand, multichannel amplifiers often have technologies that adjust the subwoofer volume - so when using a multichannel amplifier the controller should first be set at 0dB.
It is calculated of the sound velocity divided by 2 and divided by the room length [ 340 m/s: 2 : 6 m = 28.3 Hz (=1/s) ] or, more simply: 170 divided by the room dimension (length, width or height). The greatest distance between two parallel walls is taken as first standard value. For a room of 4 x 6 metres, this would be 6 metres. Strictly speaking, you would have to calculate the room resonance frequency for further parallel walls (for the 4 metres and for the ceiling height).
Overlaying resonances are also possible if the room dimensions are very close to each other. (2.8 metres high, 3 metres wide and 5.6 metres long). The resonance at 2.8 metres is repeated as multiple (times 2) at 5.6 metres length, the resonance of the 3 metres width is close to the resonance of 2.8 metres. It would resonate strongly here at 30 Hz, 56 Hz, 60 Hz and 120/112 Hz.
Phenomena of resonance frequencies:
• For example, a man with a deep voice speaks in a very small room (2 by 2 metres, 85 Hz). The voice appears to have more emphasis than in another room or out of doors. As soon as a woman speaks, the voice will sound just the same as in another room.
• The voice of a woman or that of a small child will cause glass to shatter. The voice strikes exactly the tone that corresponds to the resonant frequency of the glass. The glass resonates so strongly that it shatters (refer to the movie "The Tin Drum").
• A group of soldiers march across a bridge in cadence. The equal movement causes the bridge to vibrate so much that it collapses. That is why no one marches across bridges in cadence.